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ose crabs in the television room and more still in the dining room, some on their backs on the rug, having fallen from the table where the two-burner stove still burned. Our crab pot lay on the floor, water spilled all around it.

My mind seemed to go into slow motion then, seeing the sliced plastic sheeting that separated the new addition from the old house, noticing the sawdust in the water, putting together the puzzle pieces until I grasped the scene the way one might watching a movie. But it was not real. Not real at all.

My voice, sounding far away, echoed in my head as I read the scene: Bree had set the crabs on the table and was heating the water, expecting us all soon for dinner. But someone had come from behind my wife, from back in the addition, and there’d been a struggle. The pot had been upset, hot water spilled, and the crabs somehow freed.

Frightened of what other secrets my house might now be holding, I turned and ran through the crabs and up the stairs. My wife’s service weapon and backup pistol were sitting on the shelf where she kept them, along with her badge.

Whoever grabbed Bree knew her routine, I thought. Waited for her to stow her guns before making his move. Was Bree alone? Or was everyone here when it happened?

She’d been alone, I decided. If Ali had been here, the television would have been on. If Jannie had been here, I’d have seen her laptop somewhere close. If my grandmother had been here, I’d have seen some evidence of her, the knitting bag, something.

I tried to stay calm, but there was a sudden terrible weight in the house where I’d spent so many happy years. The air in my bedroom felt pressurized, as if it were seawater and I was a hundred feet down, fighting for every breath.

What the hell was going on? Where was Damon? Where was my wife? Jannie? Ali? Nana?

I had the overwhelming sense that I was in danger of drowning as my mind tried to answer the single question that came to dominate my thinking: What has happened to my family and why?

Sampson, I thought. Someone clearheaded. He can help me figure out—

My cell phone buzzed, alerting me to a text message. Grabbing it from my pocket, I looked at the sender and felt a rush of joy. Jannie had sent me a—

Two photographs came in. I opened them, seeing Bree, Ali, and Nana Mama in the first, and Damon and Jannie in the second. They all appeared unconscious, with duct tape wrapped about their wrists and ankles and strips of it stretched across their mouths.

A message accompanied the second picture, the one of Damon and Jannie: Don’t even think about calling Sampson, or your other friends with Metro and the FBI. Look around. You are alone now, Cross. And I am watching you. If you try to bring in reinforcements to your cause, your family dies, simple as that. Do not leave your home. Await further instructions to follow—T.M.

“T.M.,” I said, feeling scalded inside. “Thierry Mulch.”

Chapter

100

Mulch, the faceless phantom who’d been lurking at the periphery of my life the last two weeks—sending crude letters, speaking at my son’s school, for God’s sake—now had my children, my wife, and my grandmother. That reality pounded through my head like so many wild horses. I got woozy and nauseated. I sat on the edge of my bed and massaged my temples with the heels of my palms, thinking: Who is he, Mulch? That Internet entrepreneur from Southern California who’d gone to Ali’s school? Or one of the other Thierry Mulches I’d found on the Web?

And what was his motive? Why was he doing this to me? What sort of leverage was he looking for? Was this for himself, or on behalf of a third party?

But it was the peril that my family faced that finally hit me like a shock wave off a roadside bomb. My imagination conjured up ten or more terrible endings for my wife, my children, my grandmother. Each of them felt like a concussion, one after another, so bad I feared I might crack like Carney had, splinter into several people, strangers every one.

Then my rational side stepped up, demanding that I detach from what might be happening to them, that I address the evidence and the facts. They were the only paths that might lead me to Mulch and my family.

Call Sampson. Call Quintus. Call Mahoney. Get them involved. You need manpower, and you need it now.

But Mulch had said he’d kill my family if I made that move. And he’d said he’d be watching, that he would know. Was he boasting? Bluffing?

No, I decided, he was clever enough to kidnap my entire family in an afternoon. It suggested planning. A lot of planning. So if he said he’d be watching, he’d be watching.

But how would he know if I contacted outside help?

I got to my feet then, turned off the light in the bedroom, crossed to the window, eased back the drapes, and looked down on Fifth Street. It was nearly nine by then and the sidewalks were quiet. Cars choked both sides of the street. Though the oak leaves were out, I could still see a long way east and west.

Retrieving a pair of binoculars from the closet where Bree and I kept our weapons, I began studying each vehicle in turn, looking for someone inside, or anything out of the ordinary. But I spotted no one near or in their cars on the half-block to either side of our place.

Had Mulch rented a house or apartment that had views of mine? I peered out at each house, using the binoculars to look for someone looking back at me. I did the same from Jannie’s room, above the side yard, and from Nana Mama’s room, which faces the back and the alley. I looked out every window and had suspicions about neighbors I’d known for years.

Nothing. No one.

Had I seen anything strange in the neighborhood recently? I supposed our construction project was the biggest change. But then I thought of that vacuum repair van I’d been seeing around. And that blue Tahoe with the tinted windows. Who owned them?

I went downstairs, spooking more of the crabs, went to the television room, and looked out the front windows, which offered a low-angle view of the street. Neither the Tahoe nor the van was there, as far as I could see.


Tags: James Patterson Alex Cross Mystery