“Right. Yuki’s going away for a few weeks.”
“She was going away for a few weeks, then Parisi called her into his office and said, ‘I’ve got a case for you, Ms. Castellano. I think there could be a promotion in it. And a raise.’ ”
Joe turned the wheel, and we swept into the drive leading to the Convent of the Sacred Heart in Pacific Heights, an insanely beautiful and kind of creepy old mansion where Joe’s friend the mayor was holding a big fund-raiser for inner-city children.
It was an A-list event, and Joe was high on that list because he was a government contractor, the former deputy director of Homeland Security, and a specialist in Middle Eastern affairs.
Valet parkers in Flying Dutchman outfits stepped out of the shadows, and spotlights out front transformed the school into an elegant nightspot. Guests wearing Prada-everything emerged from their expensive cars, and Joe got out of ours.
He handed the keys to a valet, then came around and opened the door for me. I took his arm.
“I want to hear the rest of the story,” he said.
We headed toward the arched stone entrance. I was conscious of being dressed up for a change: wearing high-heeled shoes, putting my hair up, zipping into a long, tight red dress, and it felt good knowing that if ever a gown was made for a five-foot-ten-inch blonde, I was wearing it. And if ever there was a good-looking man in a tuxedo, I was on his arm.
“Oh. So Parisi says to Yuki, ‘I’m giving you the Rodney Booker case. Congratulations.’ He handed her a bomb, Joe. Eight defendants, no witnesses, an unmatchable possible murder weapon, and an unsympathetic victim. She’s going to work on this for a year, and then she’s going to get killed in court.”
“Poor frickin’ Yuki.”
“One day she’s going to catch a break. Maybe. I hope.”
We stepped over the threshold into a cocktail party in high gear. Beautiful people were engaged in avid conversation, laughing, their voices echoing in the magnificent Reception Room with its high, coffered ceilings designed to look like the Vatican — sixteenth-century Italian High Renaissance.
A waiter came by with a tray of champagne flutes, and Joe and I each took one.
After a sip, Joe set his glass down on a nearby table, reached inside his pocket, and took out a black velvet box I’d seen many times before. He had presented it to me twice, and although I’d never fully accepted it, I’d kept it safe through fire and through moving to Joe’s, and every once in a while I’d opened the box, just to see where I stood in my own mind.
And now Joe was opening that black clamshell case again and holding it so that the five diamonds in the platinum setting twinkled like a crystal chandelier.
I looked up at him, thinking he didn’t need the trappings. I would love him in a spangled spandex bodysuit. I smiled.
“I have this sense of déjà vu,” he said.
My butterflies did cartwheels, but I stood still, holding the gaze of my blue-eyed hunka man.
“Do I have to go back to Queens and live with my mother? Or will you marry me, Lindsay? Will you be my wife?”
As people swirled around us, a band started to play a kind of corny but very sentimental big-band tune from the ’40s. It was utterly perfect.
I put down my glass and held out my hand.
“Is that a yes?” Joe said. “Or are you asking me to dance?”
“Both. It’s a definite double yes.”
Joe’s face buckled with emotion. He said, “I love you, Blondie.” He wiggled the ring onto my finger and kissed me. I felt the power of our kiss, the way it sealed this perfect moment and blessed our future together.
I put my arms around Joe’s neck, and he held me tight. As we swayed to Glenn Miller’s “Moonlight Serenade,” Joe’s voice was soft in my ear: “You’re not changing your mind. We’re getting married.”
“Yes, Joe, we will. I love you completely. I truly do.”
Chapter 112
NORMA JOHNSON WAS resting in her maximum-security cell in the Central California Women’s Facility. The cell was eight by eight feet of beige-painted metal containing two narrow pallets, one bunk over the other, a sink, a stainless- steel toilet, and unless you counted the cell mate snoring overhead, that was all.
Her cell mate was Bernadette Radke, old enough to be her mother, a murderer like she was but nowhere near as smart or as cool. Bernie had killed her husband by running him down with a pickup truck, and then, as she was “bookin’ outta there,” she ran a red light and killed three more people. One of them was an eight-year-old kid.
Despite her body count, Bernadette was a lightweight.