The stream had washed away all regret for her lover, and she saw now that he had been cruel and faithless, and that it was happines
s enough to be rid of him.
“Good sir, you must bathe, as a reward for all your chivalry!” she told Sir Luckless.
So the knight clanked forth in the last rays of the setting sun, and bathed in the Fountain of Fair Fortune, astonished that he was the chosen one of hundreds and giddy with his incredible luck.
As the sun fell below the horizon, Sir Luckless emerged from the waters with the glory of his triumph upon him, and flung himself in his rusted armour at the feet of Amata, who was the kindest and most beautiful woman he had ever beheld. Flushed with success, he begged for her hand and her heart, and Amata, no less delighted, realised that she had found a man worthy of them.
The three witches and the knight set off down the hill together, arm in arm, and all four led long and happy lives, and none of them ever knew or suspected that the Fountain’s waters carried no enchantment at all.
PROFESSOR DUMBLEDORE’S NOTES
“The Fountain of Fair Fortune” is a perennial favourite, so much so that it was the subject of the sole attempt to introduce a Christmas pantomime to Hogwarts’ festive celebrations.
Our then Herbology master, Professor Herbert Beery,[4] an enthusiastic devotee of amateur dramatics, proposed an adaptation of this well-beloved children’s tale as a Yuletide treat for staff and students. I was then a young Transfiguration teacher, and Herbert assigned me to “special effects”, which included providing a fully functioning Fountain of Fair Fortune and a miniature grassy hill, up which our three heroines and hero would appear to march, while it sank slowly into the stage and out of sight.
I think I may say, without vanity, that both my Fountain and my Hill performed the parts allotted to them with simple goodwill. Alas, that the same could not be said of the rest of the cast. Ignoring for a moment the antics of the gigantic “Worm” provided by our Care of Magical Creatures teacher, Professor Silvanus Kettleburn, the human element proved disastrous to the show. Professor Beery, in his role of director, had been dangerously oblivious to the emotional entanglements seething under his very nose. Little did he know that the students playing Amata and Sir Luckless had been boyfriend and girlfriend until one hour before the curtain rose, at which point “Sir Luckless” transferred his affections to “Asha”.
Suffice it to say that our seekers after Fair Fortune never made it to the top of the Hill. The curtain had barely risen when Professor Kettleburn’s “Worm” – now revealed to be an Ashwinder[5] with an Engorgement Charm upon it – exploded in a shower of hot sparks and dust, filling the Great Hall with smoke and fragments of scenery. While the enormous fiery eggs it had laid at the foot of my Hill ignited the floorboards, “Amata” and “Asha” turned upon each other, dueling so fiercely that Professor Beery was caught in the crossfire, and staff had to evacuate the Hall, as the inferno now raging onstage threatened to engulf the place. The night’s entertainment concluded with a packed hospital wing; it was several months before the Great Hall lost its pungent aroma of wood smoke, and even longer before Professor Beery’s head reassumed its normal proportions, and Professor Kettleburn was taken off probation.[6]Headmaster Armando Dippet imposed a blanket ban on future pantomimes, a proud non-theatrical tradition that Hogwarts continues to this day.
Our dramatic fiasco notwithstanding, “The Fountain of Fair Fortune” is probably the most popular of Beedle’s tales, although, just like “The Wizard and the Hopping Pot”, it has its detractors.
More than one parent has demanded the removal of this particular tale from the Hogwarts library, including, by coincidence, a descendant of Brutus Malfoy and one-time member of the Hogwarts Board of Governors, Mr Lucius Malfoy. Mr Malfoy submitted his demand for a ban on the story in writing:
Any work of fiction or non-fiction that depicts interbreeding between wizards and Muggles should be banned from the bookshelves of Hogwarts. I do not wish my son to be influenced into sullying the purity of his bloodline by reading stories that promote wizard–Muggle marriage.
My refusal to remove the book from the library was backed by a majority of the Board of Governors. I wrote back to Mr Malfoy, explaining my decision:
So-called pure-blood families maintain their alleged purity by disowning, banishing or lying about Muggles or Muggle-borns on their family trees. They then attempt to foist their hypocrisy upon the rest of us by asking us to ban works dealing with the truths they deny. There is not a witch or wizard in existence whose blood has not mingled with that of Muggles, and I should therefore consider it both illogical and immoral to remove works dealing with the subject from our students’ store of knowledge.[7]
This exchange marked the beginning of Mr Malfoy’s long campaign to have me removed from my post as Headmaster of Hogwarts, and of mine to have him removed from his position as Lord Voldemort’s Favourite Death Eater.
THE WARLOCK’S HAIRY HEART
There was once a handsome, rich and talented young warlock, who observed that his friends grew foolish when they fell in love, gambolling and preening, losing their appetites and their dignity. The young warlock resolved never to fall prey to such weakness, and employed Dark Arts to ensure his immunity.
Unaware of his secret, the warlock’s family laughed to see him so aloof and cold.
“All will change,” they prophesied, “when a maid catches his fancy!”
But the young warlock’s fancy remained untouched. Though many a maiden was intrigued by his haughty mien, and employed her most subtle arts to please him, none succeeded in touching his heart. The warlock gloried in his indifference and the sagacity that had produced it.
The first freshness of youth waned, and the warlock’s peers began to wed, and then to bring forth children.
“Their hearts must be husks,” he sneered inwardly, as he observed the antics of the young parents around him, “shrivelled by the demands of these mewling offspring!”
And once again he congratulated himself upon the wisdom of his early choice.
In due course, the warlock’s aged parents died.
Their son did not mourn them; on the contrary, he considered himself blessed by their demise.
Now he reigned alone in their castle. Having transferred his greatest treasure to the deepest dungeon, he gave himself over to a life of ease and plenty, his comfort the only aim of his many servants.
The warlock was sure that he must be an object of immense envy to all who beheld his splendid and untroubled solitude. Fierce were his anger and chagrin, therefore, when he overheard two of his lackeys discussing their master one day.
The first servant expressed pity for the warlock who, with all his wealth and power, was yet beloved by nobody.