Stevie gives a small shake of his head. "Not on commission. I'll buy them outright and then mark them up for retail."
"Are you serious?" I ask incredulously, because that was way better than I had ever imagined. I mean, I know Jules is good but I didn't expect anyone to take that big a leap with her work.
"Dead serious," Stevie says as he looks from the paintings to me and then back to the paintings again. "I can probably fetch four hundred dollars each. And I'd love some more. Who's the artist?"
"A friend of mine...her name is Jules Bradley."
"Well, have her get me more," Stevie says brusquely, all flamboyance gone, replaced by pure hardcore businessman. "And I've got a few art gallery friends I want to show these to."
"That would be great," I say enthusiastically. "How much would you buy them for?"
Turning to me, he hardens his stare and says, "A hundred dollars apiece."
I snort. "Forget it. Two hundred."
"One-fifty," he counters.
"Two hundred," I maintain firmly. "Sounds like you're going to double your money on these so that's fair."
"Fine," Stevie says with an impatient wave of his hand and turns toward the backroom. "Come on back to my office and I'll write her a check."
"Wait a minute," I tell him, and he stops to look back at me. I point down to the painting that had originally caught my eye on Jules' wall. "I want that one, so mark up a bill of sale. I'll pay you four hundred for it but I want you to ship it from here straight to my mother. I'll pay the cost of that too."
Stevie blinks in surprise, because I could have clearly got the painting at cost directly from Jules. He knows it and I know it.
But I give him an appreciative smile. "For helping her out and giving her a chance."
Stevie's eyes widen in surprise for a moment, and his mouth forms into an O.
"I get it," he drawls. "You got it bad for this girl, don't you?"
"Yup," I say, not even trying to hide it. I'm not like other guys who are afraid to acknowledge feelings. I'm not one who overly shares, but I'm not going to deny it.
While I really want that painting to give to my mother because I know she'll love it, I've got no problem admitting I have it a little bad for Jules Bradley.
--
My trip back from Chapel Hill to Raleigh puts me at Sweetbrier at about quarter after eleven. I knew from my first time here that Jules took her lunch a little early, so I went to the lobby, told the receptionist I was waiting for Jules, and sat on one of the plush couches.
I pulled my phone out and texted her. I'm here to eat lunch with you. Will you share your sandwich?
She doesn't respond but five minutes later she's walking toward me with an astonished look on her face. She's carrying her brown paper bag again, which is adorable, and I eye it suspiciously. "I don't like bologna."
Jules rolls her eyes as she comes to a stop in front of me. "What are you doing here?"
"Joining you for lunch," I tell her as I stand up. "Although I was joking about sharing your sandwich with me. I'm going to go work out after this and I ate a late breakfast."
I don't tell her that included a stop through McDonald's, where I bought three sausage biscuits. I don't tell her this because I figure someday she will meet Vale and I can't be sure Jules wouldn't rat my bad eating habits out.
"I don't know whether to be pleased or mildly annoyed at you just assuming I'd want to eat lunch with you," she says with teasing eyes before turning to head toward the lobby doors.
"You're totally pleased," I tell her as I follow her out.
"Totally annoyed," she counters.
I don't say anything else, but take the opportunity to appreciate her fine ass as she walks in front of me, leading me toward the bench she was on last week. I don't know if it's my imagination or not, but it seems she's walking with more of a bounce in her step. I'm not egotistical enough to think that has anything to do with me, but I hope it has everything to do with the fact that she got some good rest last night.
I notice that today there are a few residents enjoying the courtyard, either sitting on other benches or sitting with their wheelchairs facing each other in conversation. Jules waves to a few as she passes by and then plops down on the bench.
I hope it doesn't annoy her, but I sit down close to her.
And I mean close.
As in the side of my thigh pressed against hers.
I wait to see what she'll do, which I figure could range anywhere from a slap to just a subtle movement away from me. She shocks me when she does neither, but instead sort of bumps her shoulder against me playfully while she pulls her sandwich out of the bag and says, "Seriously. What are you doing here?"
"Can't I just come see you because I want to see you?" I ask her with my head tilted her way.
She grins as she unwraps her sandwich, her focus on that rather than me, but it's me she talks to. "Well, of course you can. But you look like a man on a mission. Maybe a man that is holding in some delicious little secret."
I grin down at her, watching as those delicate fingers unwrap what appears to be a peanut butter and jelly sandwich. With her eyebrows drawn inward in concentration, she carefully pulls the sandwich apart and, while not the neatest thing in the world, manages to split it almost equally in half.
She looks up at me with a soft smile and holds one half of the sandwich to me. "It's PB and J."
I'm not hungry in the slightest because, hello--three sausage biscuits--but I can't help but want to take the overture, because Jules is the one offering it to me. She's sharing her lunch with me, which is too paltry to begin with, and it represents in one classic, unselfish move the core of her nature.
Instead of reaching for the sandwich, I tilt my head in toward hers and tell her as honestly as I can, "I really want to kiss you right now but I don't want the first time to be here at your place of work and in front of these elderly people. I'm not sure their hearts could handle the way I want to kiss you right now."
Jules' eyes get as big as saucers and she whispers, "Oh."
She's still holding her sandwich out to me, which is utterly fucking adorable, and although I want to kiss her, I truly don't want to do it in this setting. So I touch my fingers to her wrist and push the sandwich back her way. "Not hungry, Jules."
"But you want to kiss me," she mumbles.
"Pretty much," I tell her candidly. "Do you want me to kiss you?"
"Pretty much," she agrees softly.
"Fuck," I mutter, turning my head in the opposite direction, taking in the fact there are five people in the courtyard with us, four of whom look to be about a bazillion years old. We better not risk it.
Taking a deep breath, I turn back to her. Her eyes are sparkling and her lips turned upward slightly, but when she takes in my disgruntled look, she grins at me big. Then she takes a bite of her sandwich and chews through her smile, still staring at me.
"Tonight," I promise her. "First moment you're alone at the convenience store...I'm kissing
you."
Still bearing an amused smile, she nods, swallows, and then asks, "But seriously...why are you here?"
My whole body actually jerks as I remember that I did in fact have a reason for coming here and it wasn't to kiss her. Not that I haven't been thinking about that a lot, but my purpose in coming here was for something entirely different.
I lean to the side so I can assess my back pocket and pull out the folded check I put there less than an hour ago, after Stevie handed it to me. I give it to Jules, who sets her sandwich down on her lap and hesitantly takes it from me.
"What's this?" she asks, her gaze curious but wary.
I nod toward the paper in her hand. "Open it."
She does so, eyes dropping down, and gives a slight frown as she takes it all in. Then her head is snapping up, her frown deepens and she says, "I don't understand."
"I took your paintings to my friend Stevie's flower shop. He loved them so much, he bought them outright for two hundred dollars each."
She looks back down to the check, which is for a thousand dollars, since there were five total paintings, then back up to me. "Do you know what I could do with this type of money?"
"Get your TV fixed, for one," I say with a grin, but I know that is too frivolous for Jules to even care about.
She elbows me in the ribs playfully, but then looks back down to the check. "I can buy the kids new clothes. Not thrift store shit. And good shoes, you know? Kids' shoes are so expensive. And toys...they don't have much. I could even afford to enroll them in some extracurricular activities."
I swallow hard, touched not even the word I'd use to describe my feeling right now. I believe that I could sit here for hours and stare at Jules staring at that check in wonder, and figure all was right in my world.
And when she finally looks back up at me, eyes a little moist, her voice gives her feelings away when it cracks with emotion as she says, "You don't know what this means to me."
I can't help it. It's definitely not a kiss but I cup my hand around the back of her neck and pull her into my chest for a one-armed hug. I squeeze her as she presses her face into my neck and mumble, "I think I actually do know what this means to you."
She laughs, her breath fluttering across my skin and sending a jolt of desire through me that I feel down to the soles of my feet. I've been trying really hard to not think of Jules in that way, seeing as how I'm purposely taking things slow with her, but just that tiny little bit of sweet breath and I'm hot for her.