"I attacked it because the baron to whom it belonged had conspired with several other barons in a plot to have Henry murdered—a plot which nearly succeeded. This place was called Wilsely then—after the family to whom it belonged, but Henry gave it to me with the stipulation that I rename it."
"Why?"
Royce's glance was wry. "Because Henry was the one who raised Wilsely to baron and rewarded him with the place. Wilsely had been one of his few trusted nobles. I named it Claymore in honor of my mother's family and my father's," Royce added, as he spurred his horse, sending Zeus forward in a flashy trot.
The riders from the castle had wended down the hill and were bearing down on them from the front. Behind her the low, constant rumble that had been moving ever closer and louder became the distinct sound of galloping horses. Jenny glanced over her shoulder and saw all fifty men closing in on them from behind. "Do you always plan things with such precise timing?" she asked, her eyes twinkling with reluctant admiration.
His heavy-lidded glance was amused. "Always."
"Why?"
"Because," he explained obligingly, "timing is the key to leaving a battle on your horse, instead of stretched out on your shield."
"But you aren't fighting battles any more, so you don't need to think about timing and such."
His lazy smile was almost boyish. "True, but 'tis a habit, and one that will not be easy to break. The men behind us have fought beside me for years. They know how I think and what I want done almost without my saying it."
There was no more time to reply, for the castle guard was almost on top of them, with Arik in the lead. Just when Jenny was wondering if the guards meant to stop, all twenty-five of them suddenly executed a whirling turn with such precision that she felt like clapping. Arik moved into position directly in front of Royce, while, behind them, fifty knights formed into precise columns.
Jenny felt her spirits lift at the colorful procession of prancing horses and fluttering flags, and despite her determination not to care what his people thought of her when they saw her, she was suddenly filled with violent nervousness and uncontrollable hope. Whatever her feelings for her husband, these were going to be her people, she was going to live all her life among them, and the awful truth was that she couldn't help wanting them to like her. That realization was instantly followed by a fresh surge of terrible self-consciousness over her messy appearance and general physical shortcomings. Biting her lip, Jenny said a swift, impassioned prayer that God would make them like her, then she hastily considered how she ought best to comport herself in the next few minutes. Should she smile at the villagers? No, she thought hastily, it might not be appropriate under the circumstances. But neither did she want to appear too aloof, for then they might mistake her for being cold or haughty. She was a Scot, after all, and Scots were regarded by many as cold, proud people. And although she was proud to be a Scot, under no circumstances did she want these people—her people—to mistakenly think she was unapproachable.
They were within a few yards of the four hundred or so villagers lining the road, and Jenny decided it was better to smile just a little than to be mistaken for being cold or too proud. Fixing a small smile upon her mouth, she self-consciously smoothed her gown one last time, then she sat up very straight.
As their entourage began making its decorous way past the spectators, however, Jenny's inner excitement gave way to bafflement. In Scotland, when a lord, victorious or otherwise, returned home from battle, he was met with cheers and smiles, yet the peasants along this road were silent, watchful, uneasy. A few of their faces showed downright belligerence, while a great many more looked frightened as they beheld their new lord. Jenny saw it, felt it, and wondered why they would fear their own hero. Or was it her they somehow feared, she wondered nervously.
The answer came a scant second later, when a loud, belligerent male voice finally broke the taut silence: "Merrick slut!" he shouted. In an eager frenzy to demonstrate to their notorious master that they shared the duke's well-known feelings about this marriage, the crowd picked up the chant: "Merrick slut!" they shouted, jeering, "Slut! Merrick slut!" Everything happened so suddenly there was no time for Jenny to react, to feel anything, because directly beside them, a boy of about nine rashly snatched up a clump of dirt and threw it, striking Jenny squarely on her right cheek.
Jenny's cry of startled fright was muffled by Royce, who instantly threw himself forward, shielding her with his body from an attack he hadn't seen and hadn't anticipated. Arik, who had only glimpsed a raised arm throwing something that could as easily have been a dagger, let out a blood-chilling bellow of rage and hurtled out of his saddle, whipping his war axe out of his belt as he launched himself at the boy. In the mistaken belief that Royce had been the boy's target, Arik grabbed him by his thick hair, lifted him several feet off the ground, and while the screaming boy's legs were flailing wildly in the air, the giant raised his axe in a wide arc…
Jenny reacted without thinking. With a strength born of terror she reared back wildly, dislodging Royce, and drowning out whatever command he was about to give with one of her own: "No!—No, don't!" she screamed wildly, "DON'T!"
Arik's axe froze at the top of its arc, and the giant looked over his shoulder, not to Jennifer, but to Royce for a judgment. So did Jenny, who took one look at the cold rage on Royce's profile and instantly knew what he was about to tell Arik to do. "No!" she screamed hysterically, clutching Royce's arm. His head jerked to her and, if anything, he looked even more murderous than the moment before. Jenny saw the muscle jerking in his taut jaw, and in mindless terror she cried, "Would you murder a child for aping your own words—for trying to show you he supports you in everything, including your feelings about me! For the love of God, he's naught but a child! A foolish child—" Her voice broke as Royce coldly turned from her to Arik to issue his command: "Have him brought to me on the morrow," he snapped, then he dug his spurs into the black horse, sending him bolting forward; as if by some silent signal, the knights behind them shot forward, forming into a moving curtain on both sides of Royce and Jennifer.
No more shouts came from the crowd; in complete, utter stillness they watched the caravan gallop past. Even so, Jenny didn't draw an easy breath until they were clear of all of the villagers, and then she went limp. Drained. Slumping against Royce's unnaturally rigid body, she let the whole scene replay in her mind. In retrospect, it occurred to her that his rage at the child had been on her behalf, and that he acceded to her wishes by giving the boy a reprieve. Turning in the saddle she looked at him. When he continued staring straight ahead, she said hesitantly, "My lord, I would like to—to thank you for sparing—"
His gaze snapped to her face, and Jenny recoiled in shock from the scorching fury in his gray eyes. "If you ever," he warned savagely, "defy me in public again or dare to address me in that tone, I won't be responsible for the consequences, I swear to God!"
Before Royce's eyes, her expressive face went from gratitude, to shock, to fury, and then she coldly turned her back on him.
Royce stared at the back of her head, furious because she actually believed he would let a child be decapitated for a misdeed that deserved a less harsh punishment—furious because, by her actions, Jenny had led all his serfs and villeins to believe the same thing. But most of all, Royce was furious with himself for failing to anticipate that such a scene as the one with the villagers might occur, and for not taking steps to avert it.
Whenever he planned a siege or went into battle, he always considered everything that could possibly go wrong, but when it came to today, to Claymore, he'd foolishly trusted everything to chance, assuming it would all come out all right.
On the other hand, Royce decided with an irritated sigh, in a battle his smallest order was anticipated and carried out without question or argument. In a battle, he did not have Jennifer to contend with—Jennifer, who argued or questioned him about everything.
Blind to the beauty of the place he'd been yearning to see fo
r eight long years, Royce wondered grimly how it was possible that he could intimidate knights, nobles, squires, and battle-hardened soldiers into doing his bidding with a single glance, and yet he could not seem to force one young, stubborn, defiant Scottish girl to behave. She was so damned unpredictable that she made it impossible to anticipate her reaction to anything. She was impulsive, headstrong, and completely lacking in wifely respect. As they rode across the drawbridge, he glanced down at her stiff shoulders, belatedly realizing how humiliating the scene in the valley must have been to her. With a twinge of pity and reluctant admiration, he admitted that she was also very young, very frightened, very brave, and extremely compassionate. Any other woman of her rank might well have demanded the boy's head, rather than pleading for his life as Jennifer had done.
The castle's huge courtyard was filled with the people who lived or worked within its walls—a veritable army of stable grooms, laundresses, scullions, carpenters, farriers, archers, serfs, and footmen, in addition to the castle's guards. The higher-ranking members of the castle staff—bailiffs, clerks, butler, pantler, and a host of others—were lined up formally on the steps leading into the hall. Now, however, as he looked about him, Royce did not fail to observe the cold hostility being directed at Jennifer by nearly everyone, nor did he intend to leave their reaction to her to chance. So that every single person in the crowded bailey would have a clear view of Jennifer and himself, Royce turned to the captain of the guard and nodded curtly toward the stables. Not until the last knight had disappeared into the crowd, leading their horses to the stable, did Royce dismount. Turning, he reached up and caught Jennifer by the waist and lifted her down, noting as he did so that her pretty face was stiff, and she was carefully avoiding meeting the eyes of anyone. She didn't try to smooth her hair, or straighten her gown, and his heart squeezed with pity because she'd obviously decided it didn't matter how she looked any more.
Aware of the unpleasant murmuring rising from the crowd in the bailey, Royce took her arm and led her to the foot of the steps, but when Jennifer started to walk up them, he drew her firmly back, then he turned.
Jenny surfaced from the pit of shame she felt and shot him a desperate glance, but Royce didn't see it. He was standing without moving a muscle, his face hard and implacable as he gazed steadily at the restless crowd in the bailey. Even in her state of numb misery, Jenny suddenly felt as if there was a strange power emanating from him now, a force that seemed to communicate itself to all. As if a spell were being cast over them, the crowd grew silent and slowly straightened, their eyes riveted on him. Then and only then did Royce speak. His deep voice rang out in the unnatural stillness of the bailey, carrying with it the power and force of a thunderclap.
"Behold your new mistress, my wife," he pronounced, "and know that when she bids you, I have bidden you. What service you render her, you are rendering me. What loyalty you give or withhold from her, you give or withhold from me!"
His harsh gaze slashed across them for one breath-stopping, threatening moment, and then he turned to Jennifer and offered her his arm.
Unshed tears of poignant gratitude and awed wonder shimmered in Jenny's blue eyes as she looked up at him and slowly, almost reverently placed her hand upon his arm.
Behind them, the armorer clapped his hands slowly—twice. The smith joined in. Then a dozen more serfs. By the time Royce had guided her up the wide steps leading to the hall doors where Stefan and Friar Gregory were waiting, the entire bailey was thundering with steady clapping—not the sort of uninhibited, spontaneous salute that marks heartfelt enthusiasm, but rather the rhythmic response of the spellbound who are awed by a power too potent to resist.
Stefan Westmoreland was the first to speak after they entered the great, cavernous hall. Clasping Royce's shoulder with warm affection, he joked, "Would that I could do that to a crowd, dear brother."Meaningfully, he added, "Can you grant us a few moments? We have something that needs discussing."
Royce turned to Jenny, excusing himself for a minute, and she watched the two men walk over to the fire where Sir Godfrey, Sir Eustace, and Sir Lionel were standing. Evidently they'd all come ahead to Claymore along with Stefan Westmoreland, Jenny realized.
Her mind still dazed by Royce's incredible thoughtfulness in making that speech, Jenny pulled her gaze from his broad shoulders and looked about her with dawning awe. The hall in which she stood was immense, with a soaring, timbered roof and smooth stone floor swept clean of rushes. Above, a wide gallery, supported by richly carved stone arches, wrapped around on three sides, instead of only one. On the fourth wall was a hearth so large a man could easily stand in it, its chimney heavily embellished with scrollwork. Tapestries, depicting scenes of battles and hunts, hung upon the walls, and someone, she noted with horror, had actually placed two large tapestries on the floor near the hearth. At the far end of the hall, opposite where she stood, was a long table set upon a dais and cupboards displaying goblets, platters, and bowls of gleaming gold and silver, many of them encrusted with jewels. Although only a few torches were burning in wall holders, it was not nearly as dark and gloomy as the hall at Merrick. And the reason, Jenny noted with a gasp of admiration, was a huge round window of stained glass, set high in the wall beside the chimney.
Jenny's preoccupation with the stained glass window was abruptly cut off by a joyous semi-shriek from above:
"Jennifer!" Aunt Elinor cried, standing up on tiptoe in order to see over the shoulder-high wall that enclosed the gallery. "Jennifer! my poor, poor child!" she said, and disappeared from sight completely as she rushed along the gallery. Although Aunt Elinor could not be seen, the echo of her happy monologue could easily be heard as she headed for the steps leading down to the hall: "Jennifer, I'm so very glad to see you, poor child!"
Tipping her head back, scanning the gallery, Jenny started forward, following the sound of her aunt's voice as she continued: "I was so worried about you, child, I could scarcely eat or sleep. Not that I was in any condition to do either, for I've been bounced and jounced clear across England on the most uncomfortable horse I've ever had the misfortune to sit upon!"
Tilting her head and listening closely, Jenny slowly followed the voice toward the opposite end of the great hall, searching for the body that belonged to the sound.
"And the weather was perfectly abominable!" Aunt Elinor continued. "Just when I thought the rain would surely drown me, the sun came out and baked me alive! My head began to ache, my bones began to ache, and I surely would have caught my death, had Sir Stefan not finally agreed to let us stop for a short while so that I could gather curative herbs."
Aunt Elinor descended the last step and materialized before Jenny's eyes twenty-five yards away, walking toward her and still talking: "Which was a very good thing, for once I convinced him to swallow my secret tisane, which he was loathe to do at first, he did not get so much as a snuffle." She glanced toward Stefan Westmoreland, who was about to lift a tankard of ale to his lips, and interrupted him to insist on confirmation of her words: "You did not get so much as a tiny snuffle, did you, dear boy?"
Stefan lowered his tankard of ale. Obediently, he replied, "No, ma'am," bowed slightly, then he lifted his tankard of ale to his lips, carefully averting his eyes from Royce's mocking, sidewise glance. Arik stalked into the hall and went over to the fire, and Aunt Elinor gave him a reproving look as she continued to Jenny, who was walking toward her: "Altogether, it was not such a very bad journey. At least it wasn't when I was not forced to ride with that fellow, Arik, as I was forced to do when we first left Merrick…"
The knights by the fire turned to stare, and Jenny broke into an alarmed run, heading for her aunt in a futile effort to stop her from treading into such dangerous territory as the axe-wielding giant.
Opening her arms wide to Jennifer, her face wreathed in a beaming smile, Aunt Elinor continued: "Arik returned here a full twenty minutes before you arrived, and would not answer my anxious inquiries about you." Anticipating that she might not have
time to finish her thought before Jennifer got to her, Aunt Elinor doubled the speed of her words: "Although I do not think 'tis meanness that makes him look so sour. I think he has trouble with his—"
Jenny flung her arms around her aunt, wrapping her in a tight hug, but Aunt Elinor managed to wriggle free enough to finish triumphantly, "bowel!"
The split-second of taut silence that followed that slander was exploded by a loud guffaw that suddenly erupted from Sir Godfrey and was abruptly choked off by an icy glance from Arik. To Jenny's horror, helpless laughter welled up inside of her, too, brought on partly by the incredible stress of the last day, and by the sounds of stifled mirth at the fireplace. "Oh, Aunt Elinor!" she giggled helplessly and buried her laughing face in her aunt's neck to hide it.
"Now, now, sweet little dove," Aunt Elinor soothed, but her attention was on the knights who'd laughed at her diagnosis. Over Jenny's shaking shoulders, she aimed a severe look at the fascinated audience of five knights and one lord. In her severest voice she informed them, "A bad bowel is not a laughing matter." Then she switched her focus to the glowering Arik and commiserated, "Just look at the sour expression on your face, poor man—an unmistakable sign that a purgative is called for. I shall fix one for you from my own secret recipe. In no time at all, you'll be smiling and cheerful again!"
Grabbing her aunt's hand, and scrupulously avoiding meeting the laughing gazes of the other knights, Jenny looked at her amused husband. "Your grace," she said, "my aunt and I have much to discuss, and I am wishful of a rest. If you would pardon us, we will retire to—to—" it occurred to her that the discussion of sleeping arrangements was not a subject she wanted to approach any sooner than absolutely necessary, and she hastily finished "—to—er—my aunt's chamber."
Her husband, with a tankard of ale arrested in his hand in exactly the same place it had been when Aunt Elinor had first said Arik's name, managed to keep his face straight and to gravely reply, "By all means, Jennifer."