Now he was all settled in and he could entertain himself….
Dr. Lecter drove home to this pleasant refuge on the Maryland shore after his morning in the woods. The sight of Clarice Starling running through the falling leaves on the forest path was well established now in the memory palace of his mind. It is a source of pleasure to him, reachable in less than a second starting from the foyer. He sees Starling run and, such is the quality of his visual memory, he can search the scene for new details, he can hear the big, healthy whitetails bounding past him up the slope, see the calluses on their elbows, a grass burr on the belly fur of the nearest. He has stored this memory in a sunny palace room as far as possible from the little wounded deer….
Home again, home again, the garage door dropping with a quiet hum behind his pickup truck.
When the door rose again at noon the black Jaguar came out, bearing the doctor dressed for the city.
Dr. Lecter very much liked to shop. He drove directly to Hammacher Schlemmer, the purveyor of fine home and sporting accessories and culinary equipment, and there he took his time. Still in his woodsy mood, with a pocket tape measure he checked the dimensions of three major picnic hampers, all of them lacquered wicker with sewn leather straps and solid brass fittings. Finally, he settled on the medium-sized hamper, as it only had to accommodate a place setting for one.
The wicker case had in it a thermos, serviceable tumblers, sturdy china, and stainless-steel cutlery. The case came only with the accessories. You were obliged to buy them.
In successive stops at Tiffany and Christofle, the doctor was able to replace the heavy picnic plates with Gien French china in one of the chasse patterns of leaves and upland birds. At Christofle he obtained a place setting of the nineteenth-century silverware he preferred, in a Cardinal pattern, the maker’s mark stamped in the bowl of the spoons, the Paris rat tail on the underside of the handles. The forks were deeply curved, the tines widely spaced, and the knives had a pleasing heft far back in the palm. The pieces hang in the hand like a good dueling pistol. In crystal, the doctor was torn between sizes in his aperitif glasses, and chose a chimney ballon for brandy, but in wineglasses there was no question. The doctor chose Riedel, which he bought in two sizes with plenty of room for the nose within the rim.
At Christofle he also found place mats in creamy white linen, and some beautiful damask napkins with a tiny damask rose, like a drop of blood, embroidered in the corner. Dr. Lecter thought the play on damask droll and bought six napkins, so that he would always be equipped, allowing for laundry turnaround time.
He bought two good 35,000 BTU portable gas burners, of the kind restaurants use to cook at tableside, and an exquisite copper sauté pan and a copper fait-tout to make sauces, both made for Dehillerin in Paris, and two whisks. He was not able to find carbon-steel kitchen knives, which he much preferred to stainless steel, nor could he find some of the special-purpose knives he had been forced to leave in Italy.
His last stop was a medical supply company not far from Mercy General Hospital, where he found a bargain in a nearly brand-new Stryker autopsy saw, which strapped down neatly in his picnic hamper where the thermos used to go. It was still under warranty, and came with general-purpose and cranial blades, as well as a skull key, to nearly complete his batterie de cuisine.
Dr. Lecter’s French doors are open to the crisp evening air. The bay lies soot-and-silver under the moon and moving shadows of the clouds. He has poured himself a glass of wine in his new crystal and set it on a candle stand beside the harpsichord. The wine’s bouquet mixes with the salt air and Dr. Lecter can enjoy it without ever taking his hands from the keyboard.
He has in his time owned clavichords, virginals, and other early keyboard instruments. He prefers the sound and feel of the harpsichord; because it is not possible to control the volume of the quill-plucked strings, the music arrives like experience, sudden and entire.
Dr. Lecter looks at the instrument, opening and closing his hands. He approaches his newly acquired harpsichord as he might approach an attractive stranger via an interesting light remark—he plays an air written by Henry VIII, “Green Grows the Holly.”
Encouraged, he essays upon Mozart’s “Sonata in B Flat Major.” He and the harpsichord are not yet intimate, but its responses to his hands tell him they will come together soon. The breeze rises and the candles flare, but Dr. Lecter’s eyes are closed to the light, his face is lifted and he is playing. Bubbles fly from Mischa’s star-shaped hands as she waves them in the breeze above the tub and, as he attacks the third movement, through the forest lightly flying, Clarice Starling is running, running, rustle of the leaves beneath her feet, rustle of the wind high in the turning trees, and the deer start ahead of her, a spike buck and two does, leaping across the path like the heart leaps. The ground is suddenly colder and the ragged men lead the little deer out of the woods, an arrow in it, the deer pulling against the rope twisted around its neck, men pulling it wounded so they will not have to carry it to the axe, and the music clangs to a stop above the bloody snow, Dr. Lecter clutching the edges of the piano stool. He breathes deep, breathes deep, puts his hands on the keyboard, forces a phrase, then two that clang to silence.
/> We hear from him a thin and rising scream that stops as abruptly as the music. He sits for a long time with his head bent above the keyboard. He rises without sound and leaves the room. It is not possible to tell where he is in the dark house. The wind off the Chesapeake gains strength, whips the candle flames until they gutter out, sings through the strings of the harpsichord in the dark— now an accidental tune, now a thin scream from long ago.
CHAPTER
55
THE MID- ATLANTIC Regional Gun and Knife Show in War Memorial Auditorium. Acres of tables, a plain of guns, mostly pistols and assault-style shotguns. The red beams of laser sights flicker on the ceiling.
Few genuine outdoorsmen come to gun shows, as a matter of taste. Guns are black now, and gun shows are bleak, colorless, as joyless as the inner landscape of many who attend them.
Look at this crowd: scruffy, squinty, angry, egg-bound, truly of the resinous heart. They are the main danger to the right of a private citizen to own a firearm.
The guns they fancy are assault weapons designed for mass production, cheaply made of stampings to provide high firepower to ignorant and untrained troops.
Among the beer bellies, the flab and pasty white of the indoor gunmen moved Dr. Hannibal Lecter, imperially slim. The guns did not interest him. He went directly to the display of the foremost knife merchant of the show circuit.
The merchant’s name is Buck and he weighs three hundred twenty-five pounds. Buck has a lot of fantasy swords, and copies of medieval and barbarian items, but he has the best real knives and blackjacks too, and Dr. Lecter quickly spotted most of the items on his list, things he’d had to leave in Italy.
“Can I hep you?” Buck has friendly cheeks and a friendly mouth, and baleful eyes.
“Yes. I’ll have that Harpy, please, and a straight, serrated Spyderco with a four-inch blade, and that drop-point skinner at the back.”
Buck gathered the items.
“I want the good game saw. Not that one, the good one. Let me feel that flat leather sap, the black one….” Dr. Lecter considered the spring in the handle. “I’ll take it.”
“Anything else?”
“Yes. I’d like a Spyderco Civilian, I don’t see it.”
“Not a whole lot of folks know about that. I never stock but one.”