Rinaldo Pazzi was a very competent investigator. He had spotted and arrested scam artists for twenty years. Standing in the presence of this money, listening to the arrangements, he detected no false note; if he gave them Hannibal Lecter, Mason would give him the money.
In a hot sweet rush Pazzi realized that these people were not fooling around—Mason Verger would actually pay him. And he had no illusions about Lecter’s fate. He was selling the man into torture and death. To Pazzi’s credit, he acknowledged to himself what he was doing.
Our freedom is worth more than the monster’s life. Our happiness is more important than his suffering, he thought with the cold egoism of the damned. Whether the “our” was magisterial or stood for Rinaldo and his wife is a difficult question, and there may not be a single answer.
In this room, scrubbed and Swiss, neat as a wimple, Pazzi took the final vow. He turned from the money and nodded to the lawyer, Mr. Konie. From the first box, the lawyer counted out one hundred thousand dollars and handed it to Pazzi.
Mr. Konie spoke briefly into a telephone and handed the receiver to Pazzi. “This is a land line, encrypted,” he said.
The American voice Pazzi heard had a peculiar rhythm, words rushed into a single breath with a pause between, and the plosives were lost. The sound of it made Pazzi slightly dizzy, as th
ough he were straining for breath along with the speaker.
Without preamble, the question: “Where is Dr. Lecter?”
Pazzi, the money in one hand and the phone in the other, did not hesitate. “He is the one who studies the Palazzo Capponi in Florence. He is the … curator.”
“Would you please show your identification to Mr. Konie and hand him the telephone. He won’t say your name into the telephone.”
Mr. Konie consulted a list from his pocket and said some prearranged code words to Mason, then he handed the phone back to Pazzi.
“You get the rest of the money when he is alive in our hands,” Mason said. “You don’t have to seize the doctor yourself, but you’ve got to identify him to us and put him in our hands. I want your documentation as well, everything you’ve got on him. You’ll be back in Florence tonight? You’ll get instructions tonight for a meeting near Florence. The meeting will be no later than tomorrow night. There you’ll get instructions from the man who will take Dr. Lecter. He’ll ask you if you know a florist. Tell him all florists are thieves. Do you understand me? I want you to cooperate with him.”
“I don’t want Dr. Lecter in my … I don’t want him near Florence when …”
“I understand your concern. Don’t worry, he won’t be.”
The line went dead.
In a few minutes’ paperwork, two million dollars was placed in escrow. Mason Verger could not get it back, but he could release it for Pazzi to claim. A Crédit Suisse official summoned to the meeting room informed Pazzi the bank would charge him a negative interest to facilitate a deposit there if he converted to Swiss francs, and pay three percent compound interest only on the first hundred thousand francs. The official presented Pazzi with a copy of Article 47 of the Bundesgesetz über Banken und Sparkassen governing bank secrecy and agreed to perform a wire transfer to the Royal Bank of Nova Scotia or to the Cayman Islands immediately after the release of the funds, if that was Pazzi’s wish.
With a notary present, Pazzi granted alternate signature power over the account to his wife in the event of his death. The business concluded, only the Swiss bank official offered to shake hands. Pazzi and Mr. Konie did not look at each other directly, though Mr. Konie offered a good-bye from the door.
The last leg home, the commuter plane from Milan dodging through a thunderstorm, the propeller on Pazzi’s side of the aircraft a dark circle against the dark gray sky. Lightning and thunder as they swung over the old city, the campanile and dome of the cathedral beneath them now, lights coming on in the early dusk, a flash and boom like the ones Pazzi remembered from his childhood when the Germans blew up the bridges over the Arno, sparing only the Ponte Vecchio. And for a flash as short as lightning he remembered seeing as a little boy a captured sniper chained to the Madonna of Chains to pray before he was shot.
Descending through the ozone smell of lightning, feeling the booms of thunder in the fabric of the plane, Pazzi of the ancient Pazzi returned to his ancient city with his aims as old as time.
CHAPTER
33
RINALDO PAZZI would have preferred to maintain constant surveillance on his prize in the Palazzo Capponi, but he could not.
Instead Pazzi, still rapt from the sight of the money, had to leap into his dinner clothes and meet his wife at a long-anticipated concert of the Florence Chamber Orchestra.
The Teatro Piccolomini, a nineteenth-century half-scale copy of Venice’s glorious Teatro La Fenice, is a baroque jewel box of gilt and plush, with cherubs flouting the laws of aerodynamics across its splendid ceiling.
A good thing, too, that the theater is beautiful because the performers often need all the help they can get.
It is unfair but inevitable that music in Florence should be judged by the hopelessly high standards of the city’s art. The Florentines are a large and knowledgeable group of music lovers, typical of Italy, but they are sometimes starved for musical artists.
Pazzi slipped into the seat beside his wife in the applause following the overture.
She gave him her fragrant cheek. He felt his heart grow big inside him looking at her in her evening gown, sufficiently décolleté to emit a warm fragrance from her cleavage, her musical score in the chic Gucci cover Pazzi had given her.
“They sound a hundred percent better with the new viola player,” she breathed into Pazzi’s ear. This excellent viola da gamba player had been brought in to replace an infuriatingly inept one, a cousin of Sogliato’s, who had gone oddly missing some weeks before.
Dr. Hannibal Lecter looked down from a high box, alone, immaculate in white tie, his face and shirtfront seeming to float in the dark box framed by gilt baroque carving.