He showed up drunk at her boardinghouse with his suitcase. When she told him to go away, he observed that it was her fault the marriage failed and the child was stillborn. He expressed doubt that the child was his.
In a rage Marian Dolarhyde told Michael Trevane exactly what he had fathered and told him he was welcome to it. She reminded him that there were two cleft palates in the Trevane family.
She put him in the street and told him never to call her again. He didn’t. But years later, drunk and brooding over Marian’s rich new husband and her fine life, he did call Marian’s mother.
He told Mrs. Dolarhyde about the deformed child and said her snag teeth proved the hereditary fault lay with the Dolarhydes.
A week later a Kansas City streetcar cut Michael Trevane in two.
When Trevane told Mrs. Dolarhyde that Marian had a hidden son, she sat up most of the night. Tall and lean in her rocker, Grandmother Dolarhyde stared into the fire. Toward dawn she began a slow and purposeful rocking.
Somewhere upstairs in the big house, a cracked voice called out of sleep. The floor above Grandmother Dolarhyde creaked as someone shuffled toward the bathroom.
A heavy thump on the ceiling—someone falling—and the cracked voice called in pain.
Grandmother Dolarhyde never took her eyes off the fire. She rocked faster and, in time, the calling stopped.
Near the end of his fifth year, Francis Dolarhyde had his first and only visitor at the orphanage.
He was sitting in the thick reek of the cafeteria when an older boy came for him and took him to Brother Buddy’s office.
The lady waiting with Brother Buddy was tall and middle-aged, dredged in powder, her hair in a tight bun. Her face was stark white. There were touches of yellow in the gray hair and in the eyes and teeth.
What struck Francis, what he would always remember: She smiled with pleasure when she saw his face. That had never happened before. No one would ever do it again.
“This is your grandmother,” Brother Buddy said.
“Hello,” she said.
Brother Buddy wiped his own mouth with a long hand. “Say ‘hello.’ Go ahead.”
Francis had learned to say some things by occluding his nostrils with his upper lip, but he did not have much occasion for “hello.” “Lhho” was the best he could do.
Grandmother seemed even more pleased with him. “Can you say ‘grandmother’?”
“Try to say ‘grandmother,’” Brother Buddy said.
The plosive G defeated him. Francis strangled easily on tears.
A red wasp buzzed and tapped against the ceiling.
“Never mind,” his grandmother said. “I’ll just bet you can say your name. I just know a big boy like you can say his name. Say it for me.”
The child’s face brightened. The big boys had helped him with this. He wanted to please. He collected himself.
“Cunt Face,” he said.
Three days later Grandmother Dolarhyde called for Francis at the orphanage and took him home with her. She began at once to help him with his speech. They concentrated on a single word. It was “Mother.”
Within two years of the annulment, Marian Dolarhyde met and married Howard Vogt, a successful lawyer with solid connections to the St. Louis machine and what was left of the old Pendergast machine in Kansas City.
Vogt was a widower with three young children, an affable ambitious man fifteen years older than Marian Dolarhyde. He hated nothing in the world except the St. Louis Post-Dispatch, which had singed his feathers in the voter-registration scandal of 1936 and blasted the attempt in 1940 by the St. Louis machine to steal the governorship.
By 1943 Vogt’s star was rising again. He was a brewery candidate for the state legislature and was mentioned as a possible delegate to the upcoming state constitutional convention.
Marian was a useful and attractive hostess and Vogt bought her a handsome, half-timbered house on Olive Street that was perfect for entertaining.
Francis Dolarhyde had lived with his grandmother for a week when she took him there.