When I see what’s inside, I recoil immediately, my shoulders hitting his chest.
In the room is a reclining metal chair, similar to the one I sat in during the aptitude test. Beside it is a familiar machine. This room has no mirrors and barely any light. There is a computer screen on a desk in the corner.
“Sit,” Four says. He squeezes my arms and pushes me forward.
“What’s the simulation?” I say, trying to keep my voice from shaking. I don’t succeed.
“Ever hear the phrase ‘face your fears’?” he says. “We’re taking that literally. The simulation will teach you to control your emotions in the midst of a frightening situation.”
I touch a wavering hand to my forehead. Simulations aren’t real; they pose no real threat to me, so logically, I shouldn’t be afraid of them, but my reaction is visceral. It takes all the willpower I have for me to steer myself toward the chair and sit down in it again, pressing my skull into the headrest. The cold from the metal seeps through my clothes.
“Do you ever administer the aptitude tests?” I say. He seems qualified.
“No,” he replies. “I avoid Stiffs as much as possible.”
I don’t know why someone would avoid the Abnegation. The Dauntless or the Candor, maybe, because bravery and honesty make people do strange things, but the Abnegation?
“Why?”
“Do you ask me that because you think I’ll actually answer?”
“Why do you say vague things if you don’t want to be asked about them?”
His fingers brush my neck. My body tenses. A tender gesture? No—he has to move my hair to the side. He taps something, and I tilt my head back to see what it is. Four holds a syringe with a long needle in one hand, his thumb against the plunger. The liquid in the syringe is tinted orange.
“An injection?” My mouth goes dry. I don’t usually mind needles, but this one is huge.
“We use a more advanced version of the simulation here,” he says, “a different serum, no wires or electrodes for you.”
“How does it work without wires?”
“Well, I have wires, so I can see what’s going on,” he says. “But for you, there’s a tiny transmitter in the serum that sends data to the computer.”
He turns my arm over and eases the tip of the needle into the tender skin on the side of my neck. A deep ache spreads through my throat. I wince and try to focus on his calm face.
“The serum will go into effect in sixty seconds. This simulation is different from the aptitude test,” he says. “In addition to containing the transmitter, the serum stimulates the amygdala, which is the part of the brain involved in processing negative emotions—like fear—and then induces a hallucination. The brain’s electrical activity is then transmitted to our computer, which then translates your hallucination into a simulated image that I can see and monitor. I will then forward the recording to Dauntless administrators. You stay in the hallucination until you calm down—that is, lower your heart rate and control your breathing.”
I try to follow his words, but my thoughts are going haywire. I feel the trademark symptoms of fear: sweaty palms, racing heart, tightness in my chest, dry mouth, a lump in my throat, difficulty breathing. He plants his hands on either side of my head and leans over me.
“Be brave, Tris,” he whispers. “The first time is always the hardest.”
His eyes are the last thing I see.
I stand in a field of dry grass that comes up to my waist. The air smells like smoke and burns my nostrils. Above me the sky is bile-colored, and the sight of it fills me with anxiety, my body cringing away from it.
I hear fluttering, like the pages of a book blown by the wind, but there is no wind. The air is still and soundless apart from the flapping, neither hot nor cold—not like air at all, but I can still breathe. A shadow swoops overhead.
Something lands on my shoulder. I feel its weight and the prick of talons and fling my arm forward to shake it off, my hand batting at it. I feel something smooth and fragile. A feather. I bite my lip and look to the side. A black bird the size of my forearm turns its head and focuses one beady eye on me.
I grit my teeth and hit the crow again with my hand. It digs in its talons and doesn’t move. I cry out, more frustrated than pained, and hit the crow with both hands, but it stays in place, resolute, one eye on me, feathers gleaming in the yellow light. Thunder rumbles and I hear the patter of rain on the ground, but no rain falls.
The sky darkens, like a cloud is passing over the sun. Still cringing away from the crow, I look up. A flock of crows storms toward me, an advancing army of outstretched talons and open beaks, each one squawking, filling the air with noise. The crows descend in a single mass, diving toward the earth, hundreds of beady black eyes shining.
I try to run, but my feet are firmly planted and refuse to move, like the crow on my shoulder. I scream as they surround me, feathers flapping in my ears, beaks pecking at my shoulders, talons clinging to my clothes. I scream until tears come from my eyes, my arms flailing. My hands hit solid bodies but do nothing; there are too many. I am alone. They nip at my fingertips and press against my body, wings sliding across the back of my neck, feet tearing at my hair.
I twist and wrench and fall to the ground, covering my head with my arms. They scream against me. I feel a wiggling in the grass, a crow forcing its way under my arm. I open my eyes and it pecks at my face, its beak hitting me in the nose. Blood drips onto the grass and I sob, hitting it with my palm, but another crow wedges under my other arm and its claws stick to the front of my shirt.
I am screaming; I am sobbing.
“Help!” I wail. “Help!”
And the crows flap harder, a roar in my ears. My body burns, and they are everywhere, and I can’t think, I can’t breathe. I gasp for air and my mouth fills with feathers, feathers down my throat, in my lungs, replacing my blood with dead weight.
“Help,” I sob and scream, insensible, illogical. I am dying; I am dying; I am dying.
My skin sears and I am bleeding, and the squawking is so loud my ears are ringing, but I am not dying, and I remember that it isn’t real, but it feels real, it feels so real. Be brave. Four’s voice screams in my memory. I cry out to him, inhaling feathers and exhaling “Help!” But there will be no help; I am alone.
You stay in the hallucination until you can calm down, his voice continues, and I cough, and my face is wet with tears, and another crow has wriggled under my arms, and I feel the edge of its sharp beak against my mouth. Its beak wedges past my lips and scrapes my teeth. The crow pushes its head into my mouth and I bite hard, tasting something foul. I spit and clench my teeth to form a barrier, but now a fourth crow is pushing at my feet, and a fifth crow is pecking at my ribs.