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“Definitely osmosis. ”

From outside we hear Shay’s laughter, and we look outside to see Arturo dancing her around the backyard. Arturo is the male version of Carmen: compact, dark, attractive in a way that has as much to do with charisma as appearance. As for Shay, her bare feet are almost hidden by the high green grass as she spins around; her pixie cut is dyed to a shade of red that’s almost maroon. She isn’t easy to cast in the role of Evil Temptress. Instead she’s straight-up Alternative Chick from her horn-rimmed hipster glasses to the roses tattooed around one ankle.

Carmen says, “I’m trying harder with Shay these days. ”

“Yeah, I can tell. ”

That wins me a glare. “I am. I even asked her to invite a few friends along to my party Friday night. You’re still coming, right?

“Are you nuts? Of course I’m coming to my best friend’s party. ”

“Well. ” Carmen’s expression turns guilty. “I should tell you I invited Geordie too. ”

I take a deep breath. “That’s fine. ”

She gives me a look.

“I swear. ” Geordie and I promised we’d stay friends. After a whole summer away from each other, we ought to be able to hang out again. The party could be awkward as hell, especially if he drinks too much—but I can handle it.

“You agreed faster than I thought you would. ” Carmen grabs the box cutter to get us started on our next round of unpacking. “Have you been missing him? Thinking about getting back together?”

“No. ”

That isn’t entirely true. I miss Geordie, not as a lover but as a person. Plus I miss sex. I really, truly, definitely miss sex. Maybe the lovemaking with Geordie wasn’t the best, but at least it was something. Since the beginning of the summer I haven’t even had that.

Our lack of chemistry in the bedroom isn’t the reason Geordie and I split up, but it didn’t help. Even though the sex was okay, he hadn’t given me what I really want. What I need.

Once again I think of my rescuer—the tall, dark, dangerous man who’d had me at his mercy and walked away—

I shiver.

But Carmen doesn’t notice, and I start talking with her about school, the weather, whatever. I try to sweep away my dangerous thoughts along with the dust on the floor.

•   •   •

The rest of the week goes like any other for a doctoral student at the UT Austin School of Art. Tuesday, meeting with my advisor and then going to the undergrad art history class where I’m a “teaching assistant,” that is, the person who actually grades all the papers. Wednesday and Thursday, long hours at the School of Information downtown, where I’m doing some research on document preservation. Friday, some actual studio time with my prints—and I get a couple of really good prints of my favorite etching I’ve done so far this year, one of a man’s hands cradling a dove.

Why does this image speak so strongly to me? I’m not exactly sure, and in some ways I’d rather not know. Art is mysterious, sometimes; unconscious inspiration is often the most powerful. I need nothing more than the image itself: a man’s strong, large hands—rough, as if from years of labor or combat—cupped around the form of a dove, its bright eyes shining with both fear and life. The interpretation can come later, or not.

Once I’m done with my prints, I drive home to my little house, a tiny white one-bedroom place, small even among the modest, ramshackle homes just off First Street. Carmen says my place gives her claustrophobia, and Geordie always calls it “the dollhouse. ” But I like my snug little hideaway. Built-in bookshelves line the bedroom walls, and a freestanding brick fireplace divides the kitchen and the living room. My dream home, basically.

Anyone who walked inside would know a few things about me right away. One, I’m a bibliophile—someone who collects everything from Jane Austen to John le Carré. Two, I’m a sensualist. Only someone in love with texture and color would buy a velvet couch on a grad-school budget, or drape richly woven throws over every other stick of furniture.

Three, I very much love a little girl named Libby, whose coloring-book pages decorate my refrigerator. One original drawing of hers I even framed and put on the wall. In each corner is the scrawled dedication: To Aunt Vivi.

No one could look around this room and guess that I don’t see Libby very often, much less why. That remains unknown, which is exactly how I want to keep it.

What to wear tonight? I don’t want to look too sexy, in case that makes Geordie think I want him back. But I don’t want to look frumpy either. Finally I decide nothing matters more than the heat. In Texas in August, temperatures are scorching even after dark, and bare skin is your best friend. I slide into a denim miniskirt and a black camisole, trusting my silver strappy sandals and dangly earrings to dress it up a bit. Then I swing by the convenience store to pick up a six-pack of beer and head to Carmen’s.


Tags: Lilah Pace Asking for It Erotic